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Location: Ferndale, Michigan, United States
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Item: 404065145583
Condition:New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is … Read moreabout the conditionNew: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller’s listing for full details. See all condition definitionsopens in a new window or tab
MPN Value DEFAULT:Does Not:1903
Brand List:SPL Audio
Type:Studio Monitor Management
SPL Audio:SPL Audio
Control One:Control One
Connectivity:Wired
MPN:1903
UPC:4260149322418
eBay Category 500 Series Modular Synth Keyboards Microphones Preamps Dynamics Equalizers Monitoring Computer Audio Interfaces Software Beat Production SPL Control One Monitoring Controller The SPL Control One is a monitor controller with innovative features, developed for fast workflow and impressive sound quality. For SPL, the sound quality is always in the foreground. When it sounds good, we like to listen. To get such a sound, you need experience and technical finesse. SPL have incorporated both into the Series One. Speaker & Subwoofer You can listen to your production via two switchable pairs of speakers. A subwoofer is also switched on and off with speaker pair A. In the middle position of the switch, the speakers are switched off, which is convenient because you don’t have to turn the volume control back. Two Stereo Inputs Two analog stereo inputs can be connected to the Control One for sources such as a DA converter, CD player, mixing console, synthesizer or analog tape machine/tape deck, which can also be listened to mixed together (1+2). Line Out The selected input signal is output unchanged at the Line Out. This allows the Control One to be looped between devices without “losing” an output. If, for example, several people are to listen in via headphones, a headphone amplifier can simply be connected to the Line Out. You can also record the signal analog or send it to a mixer for further processing. Three Monitoring Modes Three monitoring modes are offered by the Control One. In the middle is the default setting “Stereo”. To check the mono compatibility set the switch to “Mono”. The special feature is the channel swap function. L/R > R/L L/R > R/L reverses the stereo image. L/R becomes R/L. This is especially important and extremely time-saving when you are searching your sound library for samples in video dubbing that should match a scene with direction of movement. If the direction is not correct, you usually have to load the sample into the DAW to switch channels before you can hear if the sample fits. With the L/R > R/L function this is no longer necessary. You can now simply swap the direction of movement while prelistening samples in the library. The Headphone Power Amp Poor sound over headphones? Not enough juice? Not here. Control One delivers a rich headphone sound and it can get really loud. The output stage of the headphone amplifier is designed as a push-pull amplifier in class AB mode. The bipolar transistors share the amplification of the positive and negative half-waves, which produces a higher gain and a higher output voltage than in Class A operation, where only one transistor amplifies both half-waves. The output stage transistors are thermally coupled and thus run particularly coherently, which contributes to a consistent and stable sound image. The power supply has a buffer circuit with low source resistance, ensuring generous current reserves even when driving low-impedance headphones. The Revolution The revolution in the headphone amplifier is the Phonitor Matrix, with adjustable crossfeed, thanks to which you can create mixes with headphones that sound the same on speakers. The Phonitor Matrix in its largest expansion stage has three parameters: Crossfeed, Speaker Angle and Center Level. In the Control One, the center level is preset to -1 dB and the speaker angle to 30°. These are the most commonly used values. The crossfeed function determines the so-called interaural level difference. The intensity of the crossfeed is fully variable. At the beginning of the control path the crossfeed circuit is not in the audio path. Dialing the control in switches on the crossfeed circuit via relay (hysteresis circuit). The audio signal therefore does not pass through the crossfeed stage if this is not desired. Best fit If the active speakers or the power amplifier are very sensitive the playback may already be fairly loud when the Volume control is in the first third of its control range. By activating the -10 dB dip switch the output level is lowered to accommodate for a wider usable range of the Volume control. With the Rec 1+2 dip switch both line inputs are mixed together and can be recorded via USB. Power Supply Good sound always starts with the power supply. This is where you lay the foundation for the performance of the entire device. Although SPL “only” supply a 12 V plug-in power supply unit, the secondary power supply inside generates a voltage level of +/-17 Volts for the analog audio sections with which professional levels of up to +22.5 dB can be achieved! An elaborate low-drop operating voltage regulation provides more “juice” and regulates cleanly even when the maximum operation voltage is reached. The Control One delivers full power when used with the included 1.5 A power supply. Only use the 12 V plug-in power supply unit within the scope of delivery. The ON-switch puts the Control One into operation. About Us Since 1993, we have been committed to equipping our customers with the very best gear, advice, and personal service anywhere. We believe that great sound can be achieved at any budget. We also believe that the ambitions of our customers should always come first. For us, it’s about building long-lasting relationships, not just selling gear. And over the years, those beliefs have turned customers into friends and family. Whether you’re just starting out, or a seasoned pro, we’re here for you, no matter where your audio travels may take you. Shipping Policy Free ground shipping to the lower 48 states Via FedEx. All of our items ship via FedEx. On checkout, it may look like you are selecting a UPS shipping method, but the item will be shipped via the equivalent FedEx method. Import Duties and Tax Since import taxes and/or duties that your government might impose on products shipped from the United States may apply, you (the customer), are solely responsible for shipping charges, taxes, and duties, once goods arrive in your country. Undeliverable/Rejected Package If your package was rejected by your local Customs Bureau or the shipment could not be delivered and was returned to Vintage King Audio for any reason, we are not responsible for the shipping costs. Free Extended Warranty All new items that Vintage King carries are subject to our FREE extended warranty protection. Basically, if the manufacturer offers a 1-year warranty on your product, then you are covered under the same warranty terms for a total of 2 years from the time of initial shipment. Likewise, if the manufacturer offers a 5-year warranty, then you receive a total of 6 years of coverage when purchased through Vintage King. We add 1 year to your standard manufacturer’s warranty period, FREE of charge, whatever the manufacturer’s warranty period may be. Duties and tax for warranty and damage replacement items International Duties and tax for warranty and damage replacement items may apply. Even though you may have paid shipping, taxes or duty on your original order, it is IMPORTANT to understand that your government may impose duties and taxes for warranty items or replacement items damaged during shipment from the United States for the new order. You (the customer), are solely responsible for shipping charges, taxes, and duties, once goods arrive in your country. Used Item Warranties Vintage King offers an industry-leading level of technical service and warranty support on our used and vintage items. Our used item warranty periods are as follows: Analog Outboard Gear – 1 Year Microphones – 1 Year (excluding capsules, tubes, and ribbon elements) Speakers – 1 Year (excluding drivers) Digital Outboard Gear – 30 Days Return Policy We do our best to help you choose the perfect gear, but if you don’t love it in the first 30 days after receipt, please contact us through eBay for a return authorization. Note: Software is not returnable or refundable. What Are “Demo Deal” or “B-Stock” Products? Our Demo Deals and B-Stock products offer a unique opportunity to save big on near-mint condition, fully warrantied gear. These items have been opened for demonstration purposes and put back in the box without extended use. All original factory accessories and packaging are included. In addition to the manufacturer’s warranty, Demo Deal and B-Stock items also come with an additional 1-year of warranty coverage from Vintage King, free of charge, so rest assured that not only are you saving big by purchasing a Demo Deal/B-Stock item, but you will also receive the same level of world-class support from Vintage King as with the purchase of a factory-sealed unit. Taxes Vintage King collects sales tax for shipments to Alabama, Arkansas, Arizona, California, Colorado, Connecticut, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Missouri, Nebraska, Nevada, New Jersey, New Mexico, New York, North Carolina, Ohio, Oklahoma, Pennsylvania, South Carolina, Tennessee, Texas, Utah, Vermont, Virginia, Washington, Washington D.C., Wisconsin and Wyoming. Partial and complete tax exemptions may be available in your state. Contact us through eBay for details. Note: eBay may collect sales tax in states not listed above.
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